![]() ![]() In North America, and also Japan, videos are shot in NTSC format and at 29.97 fps (often written as 30 fps).īig movie cameras will likely have rotary shutters. For example, in Europe and many other countries, videos are shot in PAL format at 25 fps. Television doesn’t have an internationally accepted frame rate. Movies are shot almost exclusively at 24 frames per second. ![]() It’s worth noting that the frame rate your camera can shoot video at is different to the frame rate at which it can shoot still images. Depending on where or what you are shooting, the frame rate you go for will vary. These are then played back so quickly that the human brain sees one moving image. When you’re shooting a video, you’re actually recording images at a very fast frame rate. Whether you work with wildlife or not, I hope the following guide to taking DSLR video helps you to unlock the potential of your camera’s video mode. As a wildlife photographer, I use film to record sequences of behaviour with wildlife. For obvious reasons, it’s much easier to convey something that occurs over time with moving images. Understanding your camera’s video mode opens a world of opportunities to you. Filming is great for recording a developing scene, rather than trying to record a sequence in a still image. It’s often disregarded – after all, DSLR cameras are not exclusively video cameras are they? But did you know that some big budget films, including The Avengers, have scenes shot on DSLR cameras? In fact, The Avengers used the Canon EOS 5D Mark II and 7D cameras on the set! The video function on your camera is probably one that you don’t play with very often. ![]()
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